Museum displays

Previous and temporary exhibitions

Every year, le musée des explorations du monde offers a thematic temporary exhibition.
Visitors can also discover the permanent collections that were bequeathed to the City Baron Lyclama in 1877.



A series of small rooms, surrounded by gardens, house collections of art and objects from Oceania, the Himalayas and the Arctic, as well as a wealth of Mediterranean antiques and pre-Columbian ceramics. The Chapelle Ste-Anne (St Anne’s Chapel) (12th century) is home to an outstanding collection of musical instruments from around the world (Asia, Africa, America, Oceania).

Three rooms devoted to Orientalism and Iran arts open onto the museum’s courtyard and the 11th century square tower (109 steps) from where there is a stunning panoramic view.

Primitive arts: ethnographic journey

The Himalayas, the Arctic, Pre-Columbian America, Oceania.

At the heart of the Himalayas

This collection is unique in France. It shows the richness of a folk art arising from inspirations that are both "classical" (mainly linked to Tibetan Buddhism) and "tribal" (Shamanism, village festivals). The pieces on display (masks, women's headdresses, votive statues, etc.) come from the main regions of the Himalayas: India (Ladakh, Arunachal Pradesh), Nepal, Tibet and Bhutan.

Arctic immersion

Some 60 Inuit pieces show off the craftsmanship of the primitive populations of Canada, Alaska and Greenland. Objects from everyday life, fishing and hunting tools are displayed either side of a central display case (hooks, snow goggles, etc.). Small figurines, mostly sculpted out of ivory (walrus's or seals' teeth), are shown together in three narrow display cases like precious jewels. They evoke the magical or religious world of the Inuits.

A trip across Pre-Columbian America

Three wall display cases bring together some 50 ceramics and stone sculptures from Central or South America, dating from the Pre-Columbian period. One display case is devoted to the civilisations of Mexico and Central America, and the other to the civilisations of the Andes and more especially to Peru. There are some remarkable pieces, such as the millstone shaped like a jaguar from Costa Rica or the Peruvian terra cotta pieces, including the impressive female statue from the Chancay culture, the portrait vase from the Mochica culture or the whistling vase from the Chimu-Lambayeque culture and that was made as a musical instrument.

Exploring Oceania

The great age of some of these pieces, their quality and rarity, make this section one of the highlights of the museum. Many of the 124 objects displayed here were collected by the ethnologist Edmond de Ginoux de La Coche during his two stays in Tahiti and on the Marquesas Islands (1843-1845 and 1848). There are several highlights: an array of weapons from Polynesia and Melanesia, including maces; the enclosed space containing effigy figures from Vanuatu; and the prow of a dugout canoe from the Trobriand Islands (New Guinea) in the central area of the second room dedicated to the peoples of the Pacific.

Orientalism and the gates of the Orient


For European intellectuals and artists in the 19th century, travelling to the Orient was a real rite of passage. Until the 1850s, it was also a perilous adventure. But the inventions of the industrial era – the railway, steam engines, the telegraph – made it easier to reach faraway lands.

Tinco Lycklama à Nijeholt (1837–1900), a Dutch aristocrat, was one of the first "tourists" to go in search of exoticism. From his travels in Iran, the Near East and Egypt, he brought back an exceptional collection which he presented to the City of Cannes in 1877.

In the arts, the taste for ancient and Arab-Persian cultures gave rise to a movement with a romantic inspiration: Orientalism. The works on display at the Musée de la Castre provide different visions of this dreamed or experienced Orient.



The gates of the Orient

In the 19th century, the French Riviera – like Andalusia and the banks of the Bosphorus – attracted travellers with its temperate exoticism: picturesque landscapes, a mild Mediterranean climate, golden light, lush vegetation, etc.

In Cannes, in 1872, as the city was growing, Tinco Lycklama set up his "Oriental museum", with visitors from a cosmopolitan society. The new villas built in Moorish style added to the exotic atmosphere. On Sainte-Marguerite island, from 1841 to the 1880s, the first tourists could see hundreds of Algerian prisoners being deported to Fort Royal. Pictures and photographs from the period have preserved a record of the events.

The Arts of Iran and Lights of the Levant

The Arts of Iran

Iran is at the crossroads of the caravan routes between the Far East and the Mediterranean. It was the birthplace of ancient civilisations. Here, during the reign of the Achaemenids (550–330 BC), the world's first empire arose.


The Iranian collection in the Musée de la Castre is centred on the Lycklama donation (1877) and bears witness to over 7,000 years of history. Works from the Qajar period (1786–1925) have an important place. They were mainly collected by Tinco Lycklama during his two visits to Persia (1866 and 1868). They form a unique collection in France.

Lights of the Levant

The area known as the "Levant", covering today's Syria, Lebanon, Israel, Palestine and Jordan, was a crossroads for trade and exchanges between populations from the Neolithic period.
The period of Antiquity was particularly marked by Phoenician, Greek and Roman influences. It is very well represented in the Musée de la Castre collections. The Lycklama donation includes a series of archaeological treasures from excavations in Sidon, the ancient capital of Phoenicia, located south of Beirut on the Mediterranean coast of Lebanon.

The museum also has four night-time photos taken by Alain Ceccaroli (a French photographer born in 1945) and acquired in 2018. These works, from the series "Les formes de l’ordinaire, Alep", highlight the historic districts of the city of Aleppo between 2002 and 2005.

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